Lady Evonleigh Whitehawk has penned a tragic drama of star-crossed love entitled "A Wager of Hearts," to be staged in the Bard's College. To bring the tale of woe to life, she has pulled together an amazing cast and crew, showcasing the talents of Arx's finest actors, as well as painters, costumers, and musicians. Evonleigh herself will be acting as well as directing.

The synopsis: Perris is the youngest son of Marquessa Rowanworth -- no one expects much of the playboy lord. Delphine is the daughter of an ennobled former knight, Count Lafoy. The two meet at a ball, with Perris instantly falling for the sweet and beautiful Delphine. She is skeptical of his admiration, but the two begin a friendship. Delphine uncovers hidden depths of the young man -- who is in fact a skilled poet and philosopher with deep emotions hidden behind the facade of the nonchalant playboy.

Perris requests to speak with the Count, to formally court her, and Delphine at first declines, disbelieving his sincerity, but Perris makes a bet with Delphine that he will be seen with no other woman on his arm for a month, while challenging her to be escorted by several different suitors in the same time -- because he doubts he truly is worthy of her affections and wants her to be as sure of him as he is of her. This causes both some awkward, comedic moments as it also reveals the true feelings of Delphine and Perris.

When the month is up, Perris is granted permission to speak to Count and Countess Lafoy, who happily approve of the match -- but Marquessa Rowanworth does not. She rejects the betrothal and instead tells Perris to marry Princess Sylpha, a woman of great beauty but one who is spoiled and prone to temper tantrums. Delphine, though brokenhearted, swears she can never hate Perris and that he should do right by his family, and Perris reluctantly agrees to the match.

The courtship period passes with Delphine disappearing from the social scene and from Perris' life. As the wedding day draws nearer, Perris becomes more and more distraught, until on the stormy day of the wedding he can take it no longer. While his household prepares for the marriage ceremony, he sneaks out after a discussion with his sisters Maitea and Amaryllis, who tell him love is more important than rank and propriety, and to follow his heart. The runaway groom rushes through the terrible storm to the Lafoys. Disaster strikes, in the form of lightning, causing the lord's horse to buck in terror, throwing him from the saddle. It is Delphine who finds him in the woods nearby, but his wounds are too grievous and the two whisper their last goodbyes and vow to find one another in another life.

Tabitha has extensive experience with designing and painting set backgrounds, props and other dressings for Prince Niklas and Princess Sabella's plays. Now it's time to put those well-refined skills to work to bring exactly the right mood to Evonleigh's first drama. She's going to work tirelessly to get everything just right, from the elegant ballroom where the lovers meet, to the mournful wood where their love comes to die. Tabitha will also be talking up the play and promoting it whenever she can, because of course she will! It's her cousin's play, after all! She'll be painting beautifully tasteful and evocative posters to advertise A Wager of Hearts, and placing them in the venues where they'll be seen by the sort of people who will best enjoy the theatrical production at hand. (OOC: 500 econ and 20,000 silver added to the action, to be distributed in any way that'll increase chances of success.)

Sabella is more than happy to play the role of one Countess Lafoy, lending her sparkling spirit and infectious joy to the role -- a mother that only wishes the best for her daughter? She's certain she can manage to capture the essence of such a character. She is also very keen on talking up the show to any and all that will hear her, and puts forth her social might in ensuring that the evening should be a smashing success!

Prince Lorenzo Redrain is positively delighted that his protege Lady Evonleigh has taken on such a creative and dramatic project, and he will spare no effort in promoting it. He will use his social connections to chat up friends and acquaintance, nobles and commoners, to ensure that this upcoming play is the talk of the city. He also buys up a block of tickets for opening night and get them into the hands of the movers and shakers of Arx's society, proving that this event is seen by everyone as the place to be. (adding 200 social and 100 economic)

Inspired to assist her husband's protege after reading the play, Gwenna offers to act in the production. Taking the role of Lady Amaryllis, one of Perris' sisters, she will hopefully bring life to the part. Lady Amaryllis is kind, sweet, and believes in love above all, which Gwenna hopes to convey convincingly in the production!

Aerwyna, with her experience in sewing and tailoring has been invited as costumer and will be making the appropriate clothing for the actors in the play. She will be taking measurements of the cast and sewing together the outfits then having fittings and doing adjustments til everything is perfect and to Lady Evonleigh's standards. She will also assist in any other areas that her eye for design is needed and cloth is involved such as any curtains and drapery for the stage. She also donates some silver to help with materials.

Lord Eddard Clement will be taking on his first role in Evonleigh's play. As Count Lafoy, the father of Lady Delphine whom he wishes to find a good match and happiness in marriage. This shouldn't be too hard. To pretend to be Baron Norwood Clement but nicer. And less gruff. And less strong. Acting seems to come easy to him, he foresees no problems in being amazing.

Lord Dariel Bisland has vast experience of acting back home in Pridehall but in Arx he's not had so much work. Even so, he feels it's only natural he'd be getting the role of Lord Perris. Perhaps a playboy Lord isn't too far from Dariel himself, though he having to have to make sure the he is a little more sympathetic.

Dariel is committed to the production. Talking to friends, family and those who stand still long enough. Investing some of his own money as well. Much of this could be down to the fact that he really is get his name out there and become as famous in Arx as he feels he should, though what's an actor without a successful play?

Place Holder: Sapphira would be honored to assist in anyway, be it as a actor/performer or however she can support Evonleigh.

Gesa joins the cast as Princess Sylpha. She attempts to add some comedy to the tragic play by making the Princess's temper tantrums as comedic as possible.

Mikani is playing the Villian ... Marquessa of Rowanworth. While this entertains her that the part is different from herself. She enjoys that she gets to throw herself into the roll. And throw herself in with two feet she does. Mika uses her experience as a child growing up with more traditional families to know the type of woman she is playing. Eager for the adventure to play the villian she readies herself to hit the stage.

Yasmine has been cast to play the leading role of the Lady Delphine, one which she assumes with enthusiasm and grace. She brings to life every emotion invoked within the story of ill-timed lovers, channeling from experiences in her meteoric rise to fame and the many tribulations along the way. Of course, as an actress of the Blackrose Theater, she does more than her fair share of spreading the word among various spheres she frequents, building up anticipation for its premiere.

If there's one thing Mailys is good at, it's playing a seductress! She'll take the part of Lady Laguna, one of the many women trying to steal Perris' attention from Delphine.

Saro is putting her practical skills in woodworking to use by helping to produce platforms, furniture, and any other wooden props that might be needed to help set the stage for the play. It may not be the most glamorous role in the production (yeah, all right, it's probably about the /least/ glamorous role), but she's not one to shy away from practical work. Some of those pieces of prop furniture might end up with some entirely unnecessary highly decorative flourishes, though.

Lady Azolla was offered the role as Lady Murrietta who is one of the ladies that is trying to get the attention of Perris who has currently sworn off other women. This is her first role in a play and she hopes to do well., so she dedicates herself to learning the lines and rehearsing in order to prepare for the show.

Haptenna has been invited aboard as part of the musical accompaniment. Being multitalented and capable of playing a few different instruments, she will be on both the lute and the harp at alternating intervals where necessary for various scenes, or simply confine herself to one if the musical section is filled out enough. She's fine with that. Either way, the young troubador will be in attendance, putting her talntes god good work. Ideally.

The play titled "A Wager of Hearts" has become widely praised in Arx and beyond, an immensely popular performance that has left an impression due to its deft social commentary and sympathy towards neo-nobles in the Compact. Produced by Lady Evonleigh Whitehawk, the play tells the tale of Lord Perris Rowanworth, with Lord Dariel Bisland in the role. Lord Perris' tragic love with the Lady Delphine LaFoy, portrayed brilliantly by Yasmine Champagne, calls upon the common themes of love warring with noble duty, and particularly of the lack of regard given to neo-nobles as old houses consider marriage alliances, as Perris attempts to win Delphine while being pursued by rivals such as Lady Laguna (charmingly played by Mailys Corsetina), and ultimately wins a betrothal from the count and countess LaFoy (as played by Eddard and Sabella respectively). Much of the audiences enjoy the light satire of the fragility of certain marriage pacts and associated negotiations as portrayed by Gesa Whisper playing the comically spoiled Princess Sylpha, who wins a marriage pact with Lord Perris with the approval of Mikani as Marquessa of Rowanworth, negating all the efforts of Perris and showing the crushing burdens of duty placed upon nobles to do well by their family. Lady Evonleigh herself plays Perris' sister Maitea Rowanworth, who along with his other sister Amaryllis (played by Princess Gwenna), give a stirring speech on in the play detailing the struggles of nobles in sacrificing love for duty, and how they should be forgiven for pursuing their hearts, and that neo-nobles are worthy of matches. The tragic death of Perris at the end of the play, thwarting his family and trying to win Delphine at last, is a hotly debated message by much of the Compact, with traditionalists particularly in the Oathlands and Mourning Isles seeing it as a morality play showing that Perris failed to uphold his obligations to his family and was punished for it, while less conservative elements in the Lyceum see it as a criticism of the institutions that doomed the star crossed lovers. Fortunately, the play is good enough where individuals mostly argue with each other and firmly believe that the play supports their own biases. There's widespread recognition for all the cast, and even for the crew, with Aerwyna as costumer, Tabitha's props, Haptenna's music, Saro's set construction, and Lorenzo's advertising.

As a result of "A Wager of Hearts", traditionalist antipathy towards neo-nobles softens ever so slightly. This is a fragile thing, likely to not last if there's more ennoblements, but it makes life easier for current neos.

As consul of Arvum Refugee Relief Group, Jyri is not one to be idle. In fact, he might be doing things a bit too fast sometimes, but he sees little point in waiting around while people suffer, and if he can do something, he will do it. This mission, under the (literal) banner of ARRG (he's made one, based off a painting he's made), is something that he feels strongly about. However - he really can't do this alone because he is not a diplomat. Hence...

Jyri gathers a team of diplomats, healers, empaths and soldiers who will go out and talk to refugees along the great road, abandoned ones particularly but others too if there are any. Abandoned refugees will be given an offer: bend the knee, swear fealty to the Compact, and they will be given quite a few good options.

1. Move to Stahlben lands - the Stahlbens are willing to take refugees on and give them homes and work.
2. Move to Laurent lands - Laurent house too has offered to take in refugees and offer homes and work.
3. Those of an agricultural bent (farmers, crafters) can move to Igniseri lands as Countess Quenia is in need of workers. They will be provided homes.
4. Soldiers can apply to join the Iron Guard, assuming they get through the vetting process.

Families will not be split up and groups will be moved with their tribal affiliations in mind as much as possible. They're not choiceless and will be listened to, even if there is a hard demand on them to bend the knee before being offered new homes.

To ensure this meets with some success, he won't be the one doing the talking if he can help it; that's why he's asked the experts to help with this. He will lead the group, he will protect them (and bring some hired guards along), and he can tell any Shav'arvani about his own experiences as an ex refugee who has joined the compact, but smooth talking is not his forte.

Additionally, a lot of resources and silver will be poured into it. The refugees will be well fed and equipped with good basic gear if they are lacking (even those that do not want to bend the knee will be given this.) Medical supplies will be provided too, for those that are hurt or sick, as much as they can be helped. The ARRG has received a fair few donations in a raffle and through the Whitehawk Charity shop, which is put into this endeavour.

An adventure upon the Great Road in order to bring peace and prosperity throughout Arvum! That's the dream and the ambition, anyway. There are people in need... there are people out there who aren't necessarily in need, but no less need to be given the good word of the Compact. Marquis-Consort Hadrian Mazetti is there to support Lord Jyri Whitehawk's efforts. To speak to the Abandoned about the virtues of the Arvum Refugee Relief Group(ARRG), the works they've done thus far in settling those returned to the Compact and even those citizens of the Compact, into new homes. Fluent in the shav'arvani dialects of the Lyceum and Oathlands, he lends his aid in that manner. Acting as both a translator and hosting more direct communication between himself and those they encounter. He lays on the charm, of course, because that's what Hadrian Mazetti do... but neither does he lie to these people - he's honest that reintegrating into the Compact can have challenges that one must face and overcome. He points to Lord Jyri Whitehawk as a success story, points to other renowned Prodigals within the Compact in recent years who have distinguished themselves with service to the Compact, the Pantheon, and more.

He would be remiss not to include mention of the many Prodigals which joined the banners of House Mazetti with the threat of the Pirate King on the horizon and how they have prospered under Mazetti rule, under the auspice of the Compact. He, again, is not above being honest and forward in mentioning that while the Prodigals under House Mazetti (and many other Houses, no doubt) have prospered, so too have those lands and noble Houses which the Prodigals have bent the knee to. A House, its lands, and cultures are people. From high to low, it takes all working together to create a brighter future, which is what is on offer. A chance to work together through shared dreams, mutual cooperation, and an eagerness to forge a better (and perhaps bolder) future for all.

Ever eager to prove she's more than a mere character on a stage in a pretty costume, the actress-turned-diplomat Evonleigh Whitehawk is happy to speak to the Abandoned and other Refugees. She speaks persuasively on the behalf of her fellow Whitehawk Jyri, the Compact, and the houses Stahlben and Laurent, lauding the merits of their lands and the security of life under their protections. Lady Evonleigh uses her charms, as ever, but her recent experiences with diplomacy have taught her a bit more about knowing how to approach different groups of people -- what approach will work best, which to steer away from, when to change approaches, etc. Evonleigh will rely too on her knowledge of Crownlands Shav, to pick up any tidbits here or there while they travel, or to use when she thinks showing she can speak it might earn her a point or two in her favor. And she'll play with the children, teaching them here

Cambria lends her aid to Jyri's grand effort. As they travel the Great Road, she does her best to promote those key points that all are hoping to drive home to those who are either uncertain, or against what is being proposed.

Lothar is, of course, ready and willing to help when the call comes; he's there to help protect the other envoys as they travel out along the road, though it happens that his own life serves well as an example of the benefits of bending the knee and accepting the light of the Gods into your life, particularly Gild.

Mina has been doing a lot of work for the Iron Guard, it's a lot of talking and soothing bruised egos, but it's something she loves doing. Amicable outcomes are extremely satisfying, but improving a group of people's lives would be even better. After hearing about Lord Jyri's raffle, she dumped quite a bit of her resources gained from her work into it to help out with the refugee problems. It didn't hurt that there was a beautiful painting up for grabs, either.

When Lord Jyri offered the country bumpkin a place in the group to reach out to the refugees she could hardly believe it. She could change people's lives by just using her silver tongue. It's never too difficult for the farm girl, the promise of something good along with a cheery demeanor and some flattery would convince many a listener. And Mina certainly had a cheery demeanor, she was so excited to talk with them and greet them with all of the stories of how so many of the people of Arx, nobles included, welcomed and helped her get settled in. Surely some first hand experience with relocation would be beneficial.

If there's any arena in which Isabeau might arguably excel, it's matters of diplomacy. Accordingly, she will accompany Lord Jyri's small contingent of those looking to persuade any Abandoned refugees to consider bending the knee, joining the Compact, and settling in House Laurent's lands. As it so happens, she is versed in Oathlander shav'arvani slang, and may even be able to communicate with them in their own tongue.

Happy to help try to bring hope and healing to anyone, Elora joins Jyri and the others. While they work on the democratic style dealings, she will focus her efforts on looking after the sick, both animal and human alike. She'll make sure that nyone who might want aid will get it, along with offering a little teachings on their own methods of first aid to help the healers and medicine people learn more methods.

Quenia talks about the benefits of being part of the compact, and a community that absorbs other people in their environment. She speaks to the work that she did with the former Thraxian thralls, taking those that wanted new homes and lives into House Igniseri as well as giving them jobs, homes, and a solid way to live their lives on their own terms within the confines of the law. She tells them of the project that she has that's up and coming, building a large agricultural center - which should take quite some time to complete - and offers those that wish jobs and homes within the compact to come work for House Igniseri, provided of course they bend the knee. She promises they'll have a safe place to live, and additional work even after the ag center project is completed. Additionally, she will provide safe passage via ship to make the travel load for those that want to go to Arx, Granato, Artshall or Bonespire much shorter than traveling completely over land.

Rather than attempting to sway hearts and minds with logical arguments and compelling oratory, Tabitha will act to gather information that the real diplomats can make use of. She'll talk with respect and kindness to the Abandoned refugees, with the aim of using her natural empathy to discern their interest and concerns relating to joining the Compact. The idea here is to listen carefully, and to pass on her findings to the diplomats so that they can use them to figure out the best approaches to their task, and hopefully apply some diplomatic damage limitation to the endevour in advance. Misunderstandings between the Compact and the Abandoned have been an issue in the past, after all. Tabitha also speaks Crownlands shav'arvani, so hopefully this will be of use.

The amount of suffering on the Great Road for different Abandoned is immense, and Jyri on behalf of the Arvum Refugee Relief Group leads a successful effort to relieve that, though it's not without complications.

Most Abandoned traditionally flee or fight on any contact with the Compact, and most bend the knee really only after defeats, but these diplomatic efforts have a higher percentage of success, particularly when Evonleigh and Isabeau help speak to them. Some groups still refuse and flee, particularly ones with heretical beliefs that they simply will not Abandon in order to join the Compact, but it's a much larger amount that settles to Stahlben, Laurent, Mazetti or Igniseri lands than most have accomplished, and a significant number that choose to move towards Arx look to join the Iron Guard. Hadrian, Cambria, Quenia help ease the transition to the different lands, and Tabitha, Elora, Mina and Lothar help keep them safe in transit, which is no easy task.

The biggest danger, of course, is that some of the traditionalist factions that object to -any- Abandoned becoming prodigals, and associate houses friendly to refugees as extremely friendly towards Abandoned, but that will be happening regardless for any outreach efforts.

With each new tragedy there are people that never come home and often times efforts to help them focus on only the families that are suffering from the latest tragedy. Princess Sabella Grayson wants to make sure that no family is forgotten and will be pushing a huge fundraising effort to help those that have lost loved ones during the recent skirmishes surrounding the Great Road, the Lodge, the Gyre War, and even the Silent War. Families don't stop grieving when a new crisis arises and Princess Sabella wants those families to know that the Compact remembers. The funds will be used to put together packages that include food, clothing, household items, and toys where applicable. Further arrangements will also be made to help family members who are looking for it find positions as apprentices or squires or household servants so that they can further help their families

Kaldur's own assistant is someone who lost one of her brothers in the Gyre war. Her brother Aonghus was found and brought to Arx. He's invested in this personally and on a larger scale. Kaldur has got a big heart and isn't shy about sharing it. Plus, with the Eater stirring, remembering people and stories and events is more important now than it ever was.

This is Sabella's passion and damn if Nik isn't going to get in there and do what he can to help realize it! So he helps by using his connections in the Isles and the already-softened sentiment created by the war with the Gyre, the specter of a future war with one of the new foreign powers or Reveka Tyde, to fundraise for Sabella's works. Surely the greatest of us can find it in ourselves to give for the meanest among us.

The College assists, via Gianna. Bards circulate through the city, drumming up interest as best they can. The bards passing through are encouraged to spread the word as well, so who knows how far this will spread? Gianna herself? She'll perform. Surely, the legendary Nightingale will draw a crowd, singing a heartbreaking song of sorrow.

Olivia isn't as skilled at rallying people and gathering supplies, but she still wants to help. So she will be helping with the actual delivery of the supplies gathered. That way she can go to the villages and provide physicians services for free to the people in need of it.

Liara helps with the organisation and administration of the charitable effort. She does enjoy organising. This includes assisting with the direction of resources and ensuring that they are properly used, using her not inconsiderable capacity for and experience of stewardship. She largely stays out of the public eye for this one.

Tabitha's efforts are focused through her art. She'll be painting beautiful but tasteful posters to bring awareness of the fundraising efforts, and will place them in strategic locations to draw the attention of wealthy philanthropists. She'll also put up paintings for auction -- considerate works that symbolise the worthiness of compassion and helping those in need.

Reese would like to join this charity and try to help raise money and help. She lead the Grayson troops in the War of Silence and Commanded the navy in the Gyre word. She also also at the lodge battle. She would like to do what she can to help those who were harmed by such and their families. She would like to make a showing a the Knight of Ribbons and encourage as much support for this project as possible.

There's immense appreciation for this, as the many victims from the different conflicts are gratified to be remembered and to be receiving much needed aid, particularly in families that found the pensions just didn't stretch as far as they hoped. Their prestige greatly increases.

The Good Duke of Gemecitta, a musical comedy by Prince Niklas Grayson

It's time for another Niklas Grayson SPECTACULAR!

With the help of Nightingale Gianna Whisper, Niklas has put together an entirely new form of theatrical entertainment. They've taken one of his older plays, his first real hit, a comedy called The Good Duke and have rewritten it so every scene is a song, every line is a lyric and the entire play is an extravaganza of dancing, singing, acting and (in some cases) fighting. With extensive choreography, music from a number of popular genres and an all star cast, this reimagining, called The Good Duke of Gemecitta, is set to be a genre defining event.

Almost as important as the play itself is the fact that it will be the first theatrical performance held at the Bard's College, meant to demonstrate the worthiness of the College as a venue for all sorts of entertainment. That the show (which Niklas has termed a 'musical', so as to keep it separate from the somewhat artsier 'opera') contains such a mix of performances will allow the auditorium at the Bard's College to show its versatility.

Niklas also pulled together a cast made up of some of the city's most well known singers, dancers and actors. Backstage are legendary and famous artists putting together sets and wardrobes. As well as a veritable army of PR people out there hyping the whole thing. As Niklas has said in his humble and low key manner, this will either be the greatest spectacle in the history of the Compact, or the biggest disaster since the city burnt down. Either way, worth the cost of a ticket, right?

And finally, this is meant to be a big charity event. Once the commoner participants are paid all other funds will go toward Princess-Consort Alarissa Thrax's Thursday's Child project. But wait, what about paying the venue?! Well, it turns out that when you're Assistant Nightingale of the Bard's College you can cut yourself a 100% discount. So every last silver that doesn't go to pay (commoner) cast and (commoner) crew will go toward helping to pay off the debt of thrall children. Given that his brother freed hundreds of thralls, but did so in the dumbest way possible, this is something about which Niklas is actually quite passionate.

There will be no event and as such no specific plot writeup. In a highly general sense the musical is about a conflict between (the wholly made up) Duke Enzo Rubino and Duke Giacomo Zaffria which gets farcically out of control when they schedule weddings for their heirs to occur on the same day. Lady Giulia Igniseri (Sorrel) is betrothed to Lord Stefano Rubino (Alejandro) and Lady Carina Zaffria (Yasmine) is engaged to wicked Prince Marco (no house name, Lumen) and wants out as she and Lady Alessandra Rubino, Stefano's older sister (Bliss) are in love. And of course Lady Eleonora Zaffria (Evonleigh) is in love with Lord Stefano. Marco's sister, Princess Valentina, (Sabella) isn't in love with anyone except herself, but she acts as the narrator and routinely breaks the fourth wall to address the audience directly, generally to make humorously unkind comments about the people on stage. There's humorous lyrical dialogue, some of that broad physical comedy from the second act of The Playwrights, three dramatic sword fights (including a three way fight between done to a jaunty saltarella) and a couple of love stories. There's drama, but since this is Nik, there's a happy ending for most characters and only the jerk prince (whose house is never named) ends up getting killed due to his own shittiness as a person. (Note: though his marriage contract allows him to keep publishing as Niklas Kennex, he's decided his old family is full of nerds, so he's going to be Prince Niklas Grayson for purposes of this show.) And while the show gets a lot of comedic mileage out of the unique setup of Gemecitta's duel dukes, the show is respectful toward the city itself, including the intro song sung by Princess Valentina that talks about how great, if weird, Gemecitta is.

Gianna helped write the songs and is providing the stage - the Bard College's Performance Hall - as well as some of the talent, some funding from the College's account, and using the bards to spread word of mouth and up the hype. The problem with all this involvement is that she has a personal stake in how good the singing is, and she is highly critical and determined to make sure the songs are flawless, even if that means people have to learn to sing better. She can show them what they need to do, and she will, but she will not be pleasant to work with. She probably has to be removed from the process at some point. Good thing Niklas has a really high Diplomacy skill! Seriously, there are good reasons she has instructors that aren't her at the College.

Sabella is simply thrilled to take the stage for the very first time acting in her husband's musical as Princess Valentina, wicked Prince Marco's sister and narrator to the story that often breaks the fourth wall to interact with the audience and make fun of the other players. Not only will she eat nothing but lettuce in the months leading up to the production to make sure she looks her best for the role, she will throw herself into learning the lines and the songs and practicing her improv so that this is the very most amazing show that ever existed! BEST PLAY EVER!

Ah, the theater! Princess Elgana is enthused there is to be another play put on but the fact that it is a production by Prince Niklas is just the icing on the cake. How could she ever dream of saying 'no' to a chance to promote his latest work? There is an all-star cast! Music! Drama! Laughter! It has everything and she's going to bend the ear of anyone who stands still long enough around her to get the word out about this production and how amazing it is going to be and how anyone who is ANYONE in this city ought to be there on opening night.

Berenice has agreed to help promote Niklas's newest production, but she's taking a very particular spin on it: she's talking up her interest, certainly, dropping it in conversation about how excited she is for opening night, but more than that, she's going to be flexing her wiles to get all sorts of people competing for the honor of escorting her to opening night. Will it involve duels? It might, you never know. Will Berenice _encourage_ people to duel over getting to take her to the theater? One hundred percent absolutely. She's going to make an absolutely delightful game of the whole thing. Who will actually take her to opening night? THAT'S NOT IMPORTANT. Hopefully there will be tears and fights and DRAMA before the curtain even opens.

Once again, and to her great excitement, Tabitha will be lending her efforts to any tasks that require the skills of an artist: painting sets, creating props, applying stage make-up and so forth. She'll happily work with the team of artists as a whole, as well as on her own when appropriate. She's an organised busy bee who likes to get get along with others to help a project reach its full potential, so she'll be at her smiling and enthusiastic best among like-minded people of a creative bent.

Sorrel being the Bladesong is a triple threat: an incredible soprano, an excellent dancer, and a swordswoman of some note. She's set to play Lady Guilia Igniseri, the Rubino-Zaffria vassal, in a stylish, charming way. She's quite involved in training the actors and actresses for the show, and she and Bliss are working out choreography for when Lady Alessandra Rubino and Lady Guilia bring swords into their squabble over who should get the world's most useless and undeserving prince, before making up and singing a brilliant duet about how neither of them need that particular man. Sorrel is mainly concerned with helping to showcase the talents of commoners whose livelihood she would like to boost with this all-star cast and in training those with less experience to have more confidence.

Yasmine will be bringing her formidable skills as an actress, singer, and dancer to the role of Carina Zaffria, the apple of her father's eye, yet not without considerable cunning of her own. In the part, the Ravashari embodies the dual characteristics of the 'stereotypical Lycene' by being both sweet and relatable to the audience while also conducting machinations to attempt to assert her own will. On the stage, Yasmine beguiles, whether with her ability to fully embody whatever role she plays, her rich contralto voice, or her expert dancing.

Lumen will be embodying the wicked Prince Marco, intermingling her on-brand impishness with the debonair stylings of a highness entirely lacking in moral high ground. This is not Lumen's stage debut. She portrayed a man in Lord Niklas Kennex's The Playwrights.

Delilah might be a pretty ornament to the stage, but her real threat originates in the province of the pen. Prince Niklas has scored the masterpiece for the stage, and she will be lending the ghostly weight of ink and inspiring words to seed excitement and interest far and very, very wide indeed. Given the Lycene flavour of things, she is gently applying a particular impression to build fascination or interest. That means scattering tidbits to the right people. Influencing the right sorts to carry on the word, to build up a buzz (even if they weren't all that aware before, they sure will be now...). She sends breathless excerpts into the Hundred Cities, stitching and building a train of anticipation about how good things are. Sentiments peppered with the taste of mysteries and drama on the stage, the historical wonders, the *intrigues*. Did we mention intrigues? Possibly scandal? The things that sell tickets and cement the memory are a grand tradition of developing stories, and she will spin one about the tireless playwright, the dashing and debonair actors, the brilliance waiting to be seen like a cut diamond until it's basically Hamilton 2.0 of Arx.

Alejandro takes his talents to the stage for a second time in this new production, playing the role of Lord Stefano Rubino. While his life's focus has typically been in music, he possesses enough natural charm and performing ability to once again handle an acting role. Putting his all into his performance, he focuses his time and practice mostly on the swordfighting aspects he may be called upon to perform. It's probably more a dance than a fight, so he feels comfortable enough. Alejandro works hard, devotes himself to the role, and attempts to put on a good performance.

Initially getting involved in this only for a lark, more or less, Tikva's largely present as a very dramatically loud _voice_ -- there are many actors and musicians in the city who she has no interest in intervening in the livelihoods of, but what weight she can lend to Niklas by putting her showmanship to use here, she does, cheerfully and with great embrace of absurdity.

Lady Evonleigh Whitehawk will be performing in Prince Niklas' play as one of the actresses, of course! She's been trained to do it all -- singing, dancing, comedy, tragedy... Though let's be honest: it's a good thing it's a musical comedy. While Evon's singing voice is sweet and on key, she has not the depth or richness of tone nor the range of a proper vocalist. Any songs she performs in are "sold" by virtue of her acting ability and her charm. The acting, she has the chops for, whether a comedic or dramatic scene, and she will do her best to win over the audience with every line, smile, or sob.

As a lover of the arts, and a tremendous fan of Gianna Whisper and her patron Prince Niklas, Countess Carita is very proud to support Prince Niklas' talents as a playwright and the Bard's College's very first theatrical performance by donating from her own personal funds. That the cast will be a group of people she has come to know well for their musical talents has made Carita dig deep in to her pockets to support them, adding 5000 silver to help ensure the production's success.

Aurora was the costumer the first time this performance was put on, and will reprise her role this time. The costumes don't change too much, just because its a musical this time doesn't mean there is a dramatic shift, though tailoring is done to ensure that the costumes fit their new wearers. More have had to be added too, to include the chorus and other stand ins on the stage.

Playing the role of Lady Alessandra Rubino, Bliss emerges onto the stage in her element - or at least, hopefully so. This role was practically written for her, and whether it's the swordfights, the speaking parts, or the saltarella, the Champion Whisper is more than able to keep up. Indeed, she's going to bring a high level of exuberance to the role, and while the swordfight will of course display skill with the weapon - it's not really about the speed of movement, is it? No, it's about how flashy and entertaining she can make it. Tricks that would never see the sands are going to come out in the show - movements of the blade meant to awe and impress. Hopefully no one gets too hurt, and if they do? Hey, that can be part of the show as well. Maybe even just having her name on the billing will bring in a certain type of fan, as well, that will increase the name recognition of the show. We can only hope.

Rook is, as ever, the hypeman. Patron of the arts, magnate, and philantropist. It's his duty to encourage people towards the burgeoning shows within Arx, and for those that aren't politely within his company simply to get something, they normally even listen to his suggestions. Utilising his extensive contacts within and outwith the Peerage, such as the merchant rungs, Rook targets high profile individuals for putting bums on seats for this event. For those that know his lovely partner, of course, Yasmine will be involved! For the royalists, oh by the Pantheon, House Grayson's own has authored it! It simply cannot be missed.

Caspian is the stunt trainer. He is showing the actors how to perform various stunts and choreographed fights and makes sure everything is nice and polished for when the curtains rise and the show begins.

Liara, with all her customary cheerfulness and passion, talks up the production no end, particularly among the more junior nobles of the Crownlands and of Arx with whom she so often associates. They simply must see it! Or so she says. She even sends a few letters back home to try and wrangle up visitors from Bastion, assuring them that it will be an unmissable spectacle.

There is no acting, no singing, no performances from Alarissa with regards to the latest production of Prince Niklas Grayson. Not in the least. Anyone who thinks they might see her get on a stage and act is going to be disappointed. But what she does do is promote the hell out of the production. She has a good reason to given the deal Niklas struck with her in exchange for applying her social weight. And so when she is out and about, at parties, fluttering a fan, sipping tea, eating with friends and perusing stores for the latest and greatest of trends, she's encouraging people to go see this latest production. Likely to be the talk of the town, filled with notable of society both noble and less than noble, prancing about the stage and giving their all. Shouldn't they go and support their fellow blooded? She thinks so, she's even going to be front row - well, up in a box and away from the rabble of course - and watching. And it's a way to help say you were -there- when this happened, and to indirectly support Thursday's Child in the process. Charity -and- entertainment all in one? Besides, it's bound to be entertaining in some fashion yes? Yes? Probably.

Prince Niklas Grayson is at it again. Or Lord Niklas Kennex? Something about the marriage contract and he's writing under his original name but then he's also Princess Sabella's husband and everyone knows Princess Sabella so now it's suddenly confusing. So they just start calling him The Playwright, and it sticks - and now no one has to remember surnames and contracts not their own.

In any case he's written a new play, calling this one not an opera but a musical. But the names have the starry-eyed among the theater in awe. Princess Sabella acts in her first title role as Princess Valentina, her turn both hilarious and touching. Her humor makes people gravitate toward her, and she is widely hailed as a resounding success in her inaugural role.

Princess Sorrel Thrax, Bladesong and Singer of Heroes, takes a break from astounding the Compact with her own work to perfom someone else's - and she too is a hit. In fact more people than usual come just to see her perform - can you really blame them? Of course not.

Yasmine Champagne, popular model, fashionista, and not-quite-as-scandalous-as-she-used-to-be Prodigal acts, sings, and dances her way across the stage. She reminds everyone why she is so often the talk of the town with another stellar performance.

Bliss Whisper plays a part too, and where her exceptional enthusiasm is, can the Nox'alfar be far away? The entire second floor is bought out opening night by a Nox'alfar delegation, who come en masse to see Bliss perform. They're only a little disruptive of course - their cries of BOO! every time Bliss leaves the stage, and the standing ovation that grinds everything to a halt when she enters gradually stop - about fifteen minutes before the end of the play.

Lumen, Radiant of the Whisper House herself, plays the lead in a performance by turns dark and witty. Sometimes both in the same turn. She outdoes herself and shows why she is so highly sought after in the Whisper house.

Princess Tikva, Alejandro Rossetti, and Lady Evonleigh join this all-star cast. Maybe some are taking it more seriously than others but this musical has it all - ranging from the dramatic to the comedic, there's a part to play for everyone and everyone has their part to play.

And where there is music, is the Nightingale very far behind? No she is not - Gianna Whisper wrote the music herself for this play. Sets are by the incomparable Lady Tabitha and they veritably take one's breath away. Aurora, the legendary seamstress, provides unbelievably beautiful costumes. Caspian trains the actors in their stunts, the Grandmaster of the Champions Guild helping make sure the fight scenes are entertaining indeed. It's like he's done this before.

Princess Elgana, Princess Berenice, Lady Delilah, Countess Carita, Princess Liara, Princess-Consort Alarissa, and the Redoubtable Rook all publicize the event. They're all going to opening night, and to random nights thereafter - and that's enough to ensure that this new play by The Playwright (who might be a Kennex or might be a Grayson or might be both but it doesn't matter) is a roaring success.

Since the weather has gotten good again it's time for the Second Annual Season of Free Children's Plays to start up in Nightingale Park the Lowers! Princess Sabella Grayson along with a host of others has pulled together some of the city's greats for one night a week while the weather holds to entertain the many orphans and poor families of the Lowers. Just a way to bring a little art and fun to the lives of those that need it! Light refreshments to be served at each performance with actors, painters, playwrights, musicians, and of course Princes and Princesses able and willing to talk to interested children about things after the show! The season will run until the cold of winter makes it prohibitive to sit outside. The current lineup looks to be:

The Seafoam Princess, The Fox and the Rooster, The Grumpy Gryphon, The Brothers Redrain, The Dragon and the Mouse, and The Reflection's Wish.

For the most part Niklas' participation is in writing the plays and helping Gianna write the songs. Otherwise, he goes where needed. Need an actor for a show? He's there. The Nightingale's got a cough? He'll sub in. Need a background painted? Well, it's not really his thing, but he can do it! Whatever it takes to make certain this series is a big success! He's also willing to hobnob so as to add his celebrity to bring more attention to the cause.

Tabitha will be happy to use her painting skills for set design and the creation of props, aiming to make them eye-catching and lovely in a way that will charm young minds. After each show she'll also be delighted to talk to the children for as long as they want, possibly doing some wax crayon drawing with them if seems like a fun and fitting idea.

Gianna leads the Bard's College's efforts to help the plays be a success. This means composition of music (themes for characters!) and possible involvement in Acting if there's a need for someone dignified and beautiful. No? Fine. Music, then. If Gianna has a soft spot, it's dealing with disadvantaged kids.

Who is that bubbly woman wearing a rooster hat and trilling out a merry cock-a-doodle-doo? Who is that laughing lady with the faux-fox tail pinned to the seat of her trousers chasing the children around before the play? Who is that spirited lass huffing and puffing dramatically in her dragon get-up for all to see? Why, it's Princess Caith! Every show, she shows up in some outfit (let's just tell it like it is: they're costumes .. ridiculously cute costumes) themed to whatever play is being performed. She plays games with the children as they wait for things to begin! She offers her lap to anyone who doesn't have a mommy or a daddy here with them (let's circle up and watch together!)! She hands out little stuffed toys (foxes! roosters! gryphons! dragons! meeses and mices! a princess doll with brushable hair!) after the shows and gives out hugs to any kid who wants or needs one! 'Wasn't this fun? Oh, I do hope to see you again at the next one! I will save you a spot beside me!'

But she's not just here for the fun of it (although it /is/ super fun). She's also representing the Heart in Hand charity! Caith has care packages for the parents, things that they will find useful in their daily lives. Bread and hard cheese for the tummies. Blankets for a good night's rest. Hats and mittens in the colder months to keep warm, lighter cloaks in the summer to keep off the rain. Things of that nature. And if they need something else, she lets them know: reach out to Heart in Hand because Heart in Hand can help!

Evonleigh will perform in the plays as an actress, happy to draw on her years of acting troupe performances to put on a show for the children of Arx. She will of course happily talk to the audience in the post-show talks as well.

As a child of the street, Jareth is looking forward to lending his name, aciting talent, and story to help those in the burroughs. Jareth the great, even in his own mind, being a great example of a way out of the slums and dangerous life of crime and poverty that ends so many lives prematurely. Also the fact the Princeess Sabella has asked if he would help, for one cannot say know to a patron of the arts like the princess!

Alessandro is here to help in any way he can! Be it ushering, looking lawyer-ly to discourage pickpocketing, or whatever Sabella needs on the day. He has also brought along his and Margret's new ward, Valarienne, one of the children rescued by Prince Ainsley, so that she can see the show and perhaps play with some of the other children.

When the question is asked, 'Won't somebody think of the children?' - inevitably Princess Sabella answers back, 'I'm on it!' And with this particular venture, The People's Princess arranges for the Second Annual Season of Free Children's Plays to start up in Nightingale Park the Lowers!

With the help of Lady Tabitha with set design, Gianna Whisper - the Nightingale Herself!, Lady Evonleigh performing, Jareth the Actor also performing, Prince Niklas filling in wherever needed, and Lord Alessandro making sure everything goes smoothly, the plays are put on exceptionally well. The Seafoam Princess, The Fox and the Rooster, The Grumpy Gryphon, The Brothers Redrain, The Dragon and the Mouse, and The Reflection's Wish - all wonderful children's stories the children of Arx know well - come to life on the stage.

And off the stage, Princess Caith is handing out smiles and stuffed animals to all the children who want so desperately to attend, paying special attention to children who seem like they might not have too many toys at home. All in all it's a grand, joyous affair, and the people of the city are happy to see Princess Sabella taking the lead in being so wonderful to the children.

To introduce the newest Grayson Prince to their subjects, Princess Sabella and Prince Niklas will embark on a tour of the Crownlands taking with them family and friends that will help entertain the populace and make good impressions all around. This is not only to show people that Princess Sabella and Prince Niklas are amazing, but to introduce them to other family members (or in the case of Cassima should she join, future family members!) and remind those around Bastion that the Graysons truly do care about their people! There will be a parade, some charity work/donations, some free concerts, short one act plays, and maybe even a ball put on for commoners and nobility alike to attend! None Greater Than Grayson!

Is Niklas writing those one act plays? You bet your ass he is. Is Niklas occasionally singing with Gianna when she's okay with it? Uh, yeah. And, should Tikva decide to join them, is Niklas joining the Princess to banjo the living shit out of the good people of the Crownlands? Oh yes! But what Nik is really there for is gladhanding. He's there to let people know that as the new Prince of Grayson, and as the husband of Sabella, the People's Princess, he's there to be the People's Prince. As such he will be putting the majority of his effort into making friends with locals, especially the magistrates or mayors of the little towns and villages they visit along the way, as well as important commoners in Bastion itself. This isn't to say he's ignoring the Grayson family or their vassal lords at the steadfasts where they make their stops, but he wants to make certain the people know the story of Niklas and Sabella, the difficulties they faced and overcame in making their love match become a reality, and the happy ending that they're going to have. The two of them are the fairy tale so many commoners would like to believe the nobility live, and his job is to give each and every person he meets share in that magic.

Gianna is doing what she does best: singing. Singing and music, but she's always on about her best instrument being her voice, so really, she's just accompanying herself on the citole. May as well use that new instrument!

Delilah will gladly contribute to gathering stories, charming the populace, and listening to the various tales and concerns of the people. She's all about listening and showing a direct interest in the pulse of affairs in their home. After compiling all the information she can, she'll present a bound book of stories, legends, tales, and findings -- such as is appropriate, obviously any ribald love poetry or such gets a good scrubbing -- to the happy couple.

Roxana will be turning on the charm and accompanying Sabella on this diplomacy tour on behalf of her marriage and House Grayson. She'll subtly direct conversations towards the Princess' own virtues and good taste, as well as to the very successful history that Prince Niklas has as a playwright. Surely the Grayson vassals and common people can appreciate the arts, and how proud Grayson is to have such a famed talent now among their own. Roxana will use this opportunity to boost morale regarding House Grayson as a whole as well as the future of the Compact with Grayson at the helm.

Liara heard that someone might want a ball for Sabella and Niklas, and now there's going to be a ball, if she has anything to say about it. It will be hosted in Bastion, in the very biggest ballroom she can wrangle up. She's going to go ahead of the others to make sure it's all arranged to her liking. She plans on an extravagant affair, with abundant food and drink, music and dance, lots of floral decorations with pink peonies (their wedding flower, as she might explain to anyone asking) featuring strongly, and one big pelican-shaped cake.

Tabitha will naturally be talking up her wonderful patron, Princess Sabella, and the equally fabulous Prince Niklas, but she'll also provide her painting skills to add some artistry to their tour. Beautiful posters, invitations and cards will be made to advertise events as needed, and in addition she'll do whatever she can to provide decorations, props and other bits of loveliness to them. Yay! It'll be fun!

Princess Sabella and Prince Niklas are touring Grayson lands, and it seems Marquis Fairen was actually already planning a similar event, to have the Leary Family take the time to visit the citizens of Leaholdt together and show his people his care for them. While the tour goes on, Fairen makes it a point to visit with his people directly, speaking with the merchants and gentry of his Holdings to get a better, personalized understanding of the issues they face. Not to mention, he ensures to hold court, and resolve the issues he can in person, rather than through a messenger sent between Leaholdt and Arx. As for the Prince and Princess that are visiting, he welcomes them readily and hosts a dinner for them to honor not only their union, but the future Grayson Prince or Princess the pair of them have conceived. Additionally, for his own family, he encourages them to tag along, and expresses that they will get the opportunity to see the lovely Lady Valitina Leary II should they come along.

Using her incredibly commanding presence, okay not incredible but darn commanding darn it, Coraline will show her leadership capacity and help keep everything all organized and in military precision.

Kaldur will cut a fine and noble figure in the touring party, he and his fine, palomino warhorse Dumpling, a display of resplendent, martial gallantry. He'll turn on the charm, flash his dimples hither and yon, and polish his green griffins armor to a fare-the-well. The armor is a from none other than Princess Reese Grayson! Flying Seliki colors with the colors of the Great House to which he ultimately owes fealty. He'll also bring along Captain Hajo Xander and Cobalt, Commander of the Seliki Engineering Corps' cavalry to have the commander's face known.

Duke Bisland arranges a warm welcome for the new, happy couple when they visit Pridehall. Though he will not be there himself, being required in Arx, he does send word ahead to his family and Voice there, so that the strong relationship between Grayson and Bisland is put on display.

Prince Niklas and Princess Sabella, newly married and eager to settle in, make a tour of various Grayson lands. They start in Bastion with a parade, and performances by Gianna Whisper. Princess Roxana welcomes them too, showing family feeling and support and carrying the glad tidings of their arrival. Princess Liara throws them a party - she likes parties and it's clear she likes Sabella, and she does an excellent job of ensuring it goes off without a hitch.

They travel through Hawkhold with Lady Delilah singing their praises (metaphorically, she's not trying to compete with the Nightingale after all), and the people are clearly taken with the beautiful artwork Lady Tabitha makes for the goodwill tour. They travel through Leaholdt with Marquis Fairen, are welcomed in Pridehall by Duke Gabriel himself, and are made comfortable and at home by Lord Kaldur in the heart of Pearlspire.

Overall it's a joyous, occasionally raucous party made all the more safe with Princess Coraline providing some security for them, and keeping them all on schedule. At the end of the festivities, it's pretty clear that the new Prince Niklas has been welcomed into the fold, and that both he and Princess Sabella clearly believe there's None Greater Than Grayson.

Let's put on a show!

After some dawdling, it is finally time for Niklas Kennex to have his debut at the Black Rose Theater featuring his comedy The Playwrights, a play about two (somewhat familiar) playwrights, and their growing rivalry during a royal playwright contest. The final synopsis of the play can be found in the The Playwrights - Final Version book (Other The Playwrights objects are of a draft and are owned by people who refuse to junk them because they are dust addicts, not that I'm talking about anyone in particular, Bastien.) and in a black journal to be posted 6/18/18. Niklas and his entourage will be working tirelessly to drum up excitement for his debut.

The following PC actors are being invited to participate in the action. (Most have been confirmed as participating. Other roles will be portrayed by NPC BRT actors.)

Lumen Whisper as Master Ashby Ravelin
Alejandro Rossetti as Lord Eduard Planchard
Yasmine Rovashani as Mistress Bailey
Jareth as Sir Miles Gloriosus

Direction by Bastien, set design by Mailys Corsetina (carpenter) and Lady Tabitha Whitehawk (painting), costume design by Aurora Thornburn, music by Nightingale Gianna and general hype by Princess Sabella Grayson and Rook Grayward.

And no, Lumen! Eduard and Ashby don't kiss!

Bastien is...grudgingly directing. But even though it was not his first choice of project to work on, he never works with anything less than total focus and dedication. The play is not his particular style, but he hones the comedy til it's sharp enough to cut -- if not in style, then at least in precision and timing. The actors likely get very tired of hearing "Pick up your cues!" but by the time the show opens, it has the pace it needs for the comedy to thrive.

Ashby and Eduard do /not/ kiss in the play. However, he will grudgingly allow the production to at least skim across a moderate amount of sexual tension. IF HE MUST.

Jareth looks forward to returning to the stage with the debut of a young protege playwright, Lord Niklas. An elder of the Black Rose Theatre, the lithe and charming actor will bring his usual flair and dedication to his craft in hopes of whooing the audience and holding them into the palm of his hand even when not the lead.

Yasmine Rovashani has made a name for herself by playing secondary characters in many of Arx's most popular productions. The Ravashari's natural comedic timing and, let's face it, ability and experience in working with Bastien, bring the character of Mistress Bailey to life in a way that makes the character relatable and yet does not detract from the performances of the leads. She'll also leverage her current popularity as a dancer and model to hype up the play and, hopefully, lure in the audience that it so richly deserves.

How does one do justice to a man as complicated and deeply, deeply, deeply feeling as Bastien--err... ASHBY. Lumen is bringing the brand of demure preciousness she's best known for to this all-around lovable grump! The whisper hides the tender, longing heart of Lord Eduard's best friend forever behind a protective armor of condescension, theatrical arm-crossing, and childlike pouting fits --- but not so thoroughly that the audience won't see the genuine man beneath, longing for others to reach out to him for unsolicited companionship!

...and then they kiss, right?

Aurora Thornburn, the prized tailor for the Mummers, creates each costume worn by the actors in the performance. She takes into consideration color, detail, and the importance of clothing in being able to portray the right feel within each scene. She wants the clothes to shine in their own right, creating emotions and bonds between stage and audience.

Almost any play is improved by having a good set and props. Therefore Tabitha will lend her skills as a painter to help out with the creation of both of these things, and maybe also with stage make-up should it be required. She'll also be mentioning the play whenever she can, talking up Niklas and the rest of the cast and crew; but really, her main task is to take care of the artistry. How fun!

It's Gianna's first time providing instrumental accompaniment for a play. Thankfully, she realizes she is providing support here and not trying to steal the show. Various musicians associated with the College will be helping her out.

Princess Sabella has been waiting her WHOLE LIFE to be able to talk up a protege like Niklas! And she will do so at every opportunity! Don't you want to be there for Lord-maybe-Prince-by-then Niklas' debut at the Black Rose? Have you seen any of his other plays? Well, this one is even better and incredibly hilarious! He's such a brilliant playwright and no party, tea party, quiet passing in the street or at the market will go without her brightly and cheerfully trying to ensure all of those seats are filled opening night and beyond!

Rook's a hype man, it's true, he can make a dozen well connected people get all very excited over one thing and obsess over it for weeks. In regards to Niklas' play, since Rook's own proteges are both acting in it and designing the costumes, it only makes sense that Rook is stirring up a craze here too! He's going to push the angle of two of the most prestigious commoners having a hand in the show; Mistress Aurora Thornburn is one of the most famous crafters within the city and Yasmine is known as one of the most well known models as well. The courtier's approach is going to focus on the upper echelon, clientele and investors he works with daily, hopefully to get some real money-movers and influencers in the house that evening.

Two of Calista's protege's are involved in the production of this play and this truly makes her one happy Duchess. She supports Alejandro and Jareth completely in all their endeavors. The Duchess of Roses adores the theater and as such offers additional 'hype' for Niklas' efforts as well as silver so that the newly crowned Prince playwright can pay his actors, stagehands, and crafters. Calista has a broad circle of influential people and she makes certain they all hear about the upcoming play.

Though acting is not his main strength, Alejandro has been recruited to take the role of Lord Eduard Planchard. He throws himself into studying the lines and the delivery of said lines, relying on his hard work and natural talent to help him perform as best he can. Being in front of a crowd like this will be new for him but he's not particular nervous. Just focused on getting it right.

In the long winter months, what is there to stop people from losing their minds with boredom? Why art, of course! And Playwright Niklas Kennex means to deliver! He takes his troop of Mummers out to the further ends of the Compact and starts debuting his play. At first, it is decently received, but as the troop gets more and more comfortable with their parts, and starts making each part their own, the audiences become more and more appreciative.

The closer they get to Arx, the greater the acclaim, until it seems all of Arx itself - or at least all those interested in the theater - are holding their breaths in anticipation of Opening Night at the Blackrose Theater. Direction by Master Bastien? Jareth not in the lead - but still playing a supporting role? Audiences do love him, and he's known for hamming it up. Yasmine, character actor and dancer? Lumen Whisper as a... man? Alejandro in a lead role?

Even the setup is amazing - Legendary seamstress Aurora making the costumes, music by Gianna, set and prop painting by Tabitha? This could be a changing point in the Black Rose history - or at least an exceptionally amusing play.

Certainly they're finding support from the haute monde, as it were. Lady Calista, Princess Sabella, and Rook all actively promoting their proteges and talking about the upcoming comedy. They plan to LAUGH and CRY and TALK ABOUT IT WHILE USING EXCITEMENT AND WILD GESTICULATIONS.

And as opening night approaches, the theater-philes of Arx are eagerly in line for tickets and ready to make it a night out on the town!